Michael Crichton ( 1942 - )

His Life:

Growing up:

High School:

Harvard and Medical School:

Crichton began training as a doctor. He made it through all the uncomfortable parts of medical school, despite almost passing out every time he had to draw blood. Every year of medical school he tried to quit, and each time he was persuaded to give it another try.He eventually graduated with his MD from Harvard Medical School in 1969, but never became a licensed practitioner of medicine.

Crichton paid his way through medical school by writing thrillers under different names. Under the name John Lange he wrote Odds On, Scratch One, Easy Go, Zero Cool, Venom Business, Grave Descend, and Drug of Choice, all spy thrillers.During Crichton's final year at medical school The Andromeda Strain was published. It was a best-seller and Crichton sold it to Hollywood. Crichton then gained a celebrity status around the hospital that he did not particularly want.

Writing and Films:

His tightly plotted, briskly written stories immerse the reader in the cutting edge of science, technology, and culture. He is meticulous in his research, and he makes excellent use of it. As "Time Magazine" wrote, "Michael Crichton didn't really have to get the science right to make sure The Lost World would be a bestseller. But he got the science right anyway." His books, Time said, are "suffused with scientific detail that has clearly been lifted from the latest research journals...Crichton knows more than just how to tell a riveting story."

Always interested in computers, he once ran a software company, FilmTrack, and made a computer game, Amazon. His film, "Westworld", has the distinction of being the first feature film to employ digitized images in 1973.

He has sold over 100 million books and his books have been translated into thirty-six languages and twelve have been made into films. He is also the creator of the television series ER. He is the only person to have had, at the same time, the number one book, the number one movie, and the number one TV show in the United States.

He is divorced and lives in Los Angeles.

His Books:

A Nobel-Prize-winning bacteriologist, Jeremy Stone, urges the president to approve an extraterrestrial decontamination facility to sterilize returning astronauts, satellites, and spacecraft that might carry an "unknown biologic agent." The government agrees, almost too quickly, to build the top-secret Wildfire Lab in the desert of Nevada. Shortly thereafter, unbeknownst to Stone, the U.S. Army initiates the "Scoop" satellite program, an attempt to actively collect space pathogens for use in biological warfare. When Scoop VII crashes a couple years later in the isolated Arizona town of Piedmont, the Army ends up getting more than it asked for.

The title refers to computer scientist Harry Benson who, as the result of an automobile accident, suffers severe epileptic seizures. As the seizures grow in intensity, Benson has blackouts during which he commits violent acts. At the urging of his doctors, Benson decides to undergo a radical procedure in which an electrode is inserted into his brain. Hooked up to a packet in the patient's shoulder, the electrode is wired to locate the source of the seizures and deliver a shock to the brain every time an episode is about to occur. Unfortunately, Benson's brain is overloaded; as the shocks increase, Benson becomes more irrational, dangerous, and eventually, murderous.

n teeming Victorian London, where lavish wealth and appalling poverty live side by side, one mysterious man navigates both worlds with perfect ease. Rich, handsome, and ingenious, Edward Pierce charms the most prominent of the well-to-do as he cunningly orchestrates a masterpiece of crime -- the most daring train robbery of the century. Who would suspect that a gentleman of breeding could mastermind the daring theft of a fortune in gold? Who could predict the consequences of making the extraordinary robbery aboard the pride of England's industrial era, the mighty steam locomotive? Based on fact, as lively as legend, and studded with all the suspense and style of a modern fiction master, here is a classic caper novel set a decade before the age of dynamite.

This remarkable true story originated from actual journal entries of an Arab man who traveled with a group of Vikings throughout northern Europe. In A.D. 922 Ibn Fadlan, the representative of the ruler of Bagdad, City of Peace, crosses the Caspian sea and journeys up the valley of the Volga on a mission to the King of Saqaliba. Before he arrives, he meets with Buliwyf, a powerful Viking chieftain who is summoned by his besieged relatives to the North. Buliwyf must return to Scandanavia and save his countrymen and families from the monsters of the mist....

If you saw the 1995 film adaptation of this Crichton thriller, somebody owes you an apology. While you're waiting for that to happen, try reading the vastly more intelligent novel on which the movie was based. The broad lines of the plot remain the same: A research team deep in the jungle disappears after a mysterious and grisly gorilla attack. A subsequent team, including a sign-language-speaking simian named Amy, follows the original team's tracks only to be subjected to more mysterious and grisly gorilla attacks. If you can look past the breathless treatment of '80s technology, like voice-recognition software and 256K RAM modules (the book was written in 1980), you'll find the same smart use of science and edge-of-your-seat suspense shared by Crichton's other work.

Within a space ship lying on the sea bottom is a mysterious sphere that promises each of the main characters some personal reward: military might, professional prestige, power, understanding. Trapped underwater with the sphere, the humans confront eerie and increasingly dangerous threats after communication with the alien object has been achieved. The story is exciting and loaded with scientific and psychological speculations that add interest at no cost to the action, including an intriguing sequence in which human and computer attempt to decode the alien communication. As the story races to an end, suspicions of evil-doing fall as many ways as in a detective novel.

Unless your species evolved sometime after 1993 when Jurassic Park hit theaters, you're no doubt familiar with this dinosaur-bites-man disaster tale set on an island theme park gone terribly wrong. But if Speilberg's amped-up CGI creation left you longing for more scientific background and ... well, character development, check out the original Michael Crichton novel. Although not his best book (get ahold of sci-fi classic The Andromeda Strain for that), Jurassic Park fills out the film version's fast-pced story line with additional scenes, dialogue, and explanations while still maintaining Crichton's trademark thrills-'n'-chills pacing. As ever, the book really is better than the movie.

The celebrity-studded opening of a huge Japanese office building is marred by the murder of a beautiful American woman. Lt. Peter Smith is called in to investigate and is requested to bring along John Connor, an expert on Japanese culture and fluent in the language. So begins a riveting tale that combines suspense, technology, and a full-scale economic battle for survival. You will have no problem following the complex corporate business schemes described by Crichton, whose loyalties are obviously with America. Readers who fear that the Japanese are taking over the U. S. economy will not be reassured.

Beautiful, bright, and talented Meredith Johnson arrives at Digital Communications Technology company to become the head of a division, a position that Tom Sanders thought was going to be his. Meredith, his former lover, invites him to her office after hours and attempts to seduce him. When he rejects her, she accuses him of sexual harassment. Tom hires Louise Fernandez to defend him and reverses the accusation to name Meredith as the aggressor. To this plot, Crichton adds computer-industry sabotage, corporate mergers, video-linkups, stock options, CD-ROM jargon, and even a trip on a virtual-reality simulator to help Tom save his reputation and career.

Written in the wake of Jurassic Park's phenomenal box-office success, The Lost World seems as much a guidebook for Hollywood types hard at work on the franchise's followup as it is a legitimate sci-fi thriller. Is the plot a rehash of the first book? Sure it is, with the action unfolding on yet another secluded island, the mysterious "Site B." Is the cast of characters basically the same? Absolutely, from a freshly minted pair of cute, compu-savvy kids right down to the neatly exhumed chaos theorist Ian Malcolm (who was presumed dead at the close of JP). But is it fun to read? You betcha. Hollywood (and Michael Crichton) keeps telling us the same old stories for a very good reason: we like them.

Cruising 35,000 feet above the earth, a twin-engine commercial jet encounters an accident that leaves 3 dead, 56 wounded, and the cabin in shambles. What happened? With a multi-billion-dollar company-saving deal on the line, Casey Singleton is sent by her hard-driving boss to uncover the mysterious circumstances that led to the disaster before more people die. But someone doesn't want her to find the truth. Airframe bristles with authentic information, technical jargon, and the command of detail Crichton's readers have come to expect.

Crichton remains a master of narrative drive and cleverness. From the startling opening, where an old man with garbled speech and body parts materializes in the Arizona desert, through the revelation that a venal industrialist has developed a risky method of time-travel (based on movement between parallel universes; as in Crichton's other work, good, hard science abounds), there's not a dull moment. When elderly Yale history prof Edward Johnston travels back to his beloved 15th century and gets stuck, and his assistants follow to the rescue, excitement runs high, and higher still as Crichton invests his story with terrific period detail and as castles, sword-play, jousts, sudden death.

Jack Forman is a recently unemployed writer of predator/prey software, whose nearly absentee wife, Julia, is a bigwig at a tech firm called Xymos. When a car accident hospitalizes Julia, Xymos hires Jack to deal with problems at their desert nanotechnology plant. The techies at this plant have developed nanomachines, smaller than dust specks, which are programmed with Jack's predator/prey software. Not only is a swarm of those nanomachines loose and multiplying, but they appear to be carnivorous. The desert swarms are the least of Jack's worries, however, as the crew inside the plant are not entirely what they seem.

Millionaire George Morton is about to donate $10 million to the National Environmental Research Fund (NERF) when he suddenly decides against it. His lawyer, Peter Evans, is as surprised as anyone and is drawn into a web of intrigue after Morton's car careens off the road and Morton is presumed dead. Just before his "death," Morton was in contact with Dr. John Kenner, a researcher at the Center for Risk Analysis, who opposes NERF's agenda and presents Evans with some startling evidence about global warming. With Evans and Morton's assistant, Sarah, in tow, Kenner travels to Antarctica, where he learns that a group of environmental extremists are planning several attacks of environmental terror to convince the world of impending ecological disaster.

Welcome to our genetic world. Fast, furious, and out of control. This is not the world of the future--it's the world right now. Is a loved one missing some body parts? Are blondes becoming extinct? Is everyone at your dinner table of the same species? Humans and chimpanzees differ in only 400 genes; is that why an adult human being resembles a chimp fetus? And should that worry us? There's a new genetic cure for drug addiction--is it worse than the disease?

We live in a time of momentous scientific leaps; a time when it's possible to sell our eggs and sperm online for thousands of dollars; test our spouses for genetic maladies and even frame someone for a genetic crime. We live in a time when one fifth of all our genes are owned by someone else, and an unsuspecting person and his family can be pursued cross-country because they happen to have certain valuable genes within their chromosomes. . . .

Devilishly clever, Next blends fact and fiction into a breathless tale of a new world where nothing is what it seems, and a set of new possibilities can open at every turn. Next challenges our sense of reality and notions of morality. Balancing the comic and bizarre with the genuinely frightening and disturbing, Next shatters our assumptions, and reveals shocking new choices where we least expect. The future is closer than you think. Get used to it.